Designer mary mcfadden biography meaning
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Woman's "Marii" Gown by Mary McFadden
The dress is believed to have been made between the years 1975 and 1980. McFadden (b. 1938) launched her first collection in 1973 and patented her “Marii” pleating technique two years later. She began Mary McFadden Inc. in 1976, which focused on evening gowns using this Marii technique, as well as handcrafted elements including hand-painting, quilting, beading, and embroidery. Despite being a ready-to-wear line, much of the work was still done by hand. McFadden shut down her couture house in 2002 but denied rumors of financial difficulties; her partner claimed she wanted to focus on her new and more successful ready-to-wear line.
McFadden’s favored fabric was a polyester charmeuse she found while in Australia. Charmeuse, from the French word for “female charmer,” is a lightweight satin weave with the warps crossing over four or more weft threads, creating a fabric that is shiny on one side and dull on the other. She compared the drape to “liquid gold” or “ancient Chinese silk” (McFadden 2011). The fabric would be dyed in Japan in accordance with a particular collection and then sent to the United States to undergo the heat transfer pleating process. McFadden named the pleating fabric “Marii” pleating, a Japanese version of
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Through the Ages With Mary McFadden
NEW YORK — Mary McFadden’s home is an ordinary place, at least for her.
The historically inspired designer has converted an Upper East Side one-bedroom apartment into an ornate tribute to a Byzantine palace, its walls and ceiling stenciled in gold, so stuffed with relics of the great civilizations of the world that an art history course could be taught there.
At the entrance to her living room is a Gandara bust, 1,800 years old, its classical Greek lines demonstrating the influence brought by Alexander of Macedonia into ancient Afghanistan and Pakistan. A 12th-century Buddhist mandala painting from Japan and other examples from Korea adorn one wall, flanked by a funeral sculpture that’s nearly 2,000 years old.
An entire table, dedicated to McFadden’s “gold collection,” is covered with a pre-Columbian crown, a classical Greek poet’s wreath, a Scythian gold tomb belt engraved with animals from 2000 B.C. and a leaf torn from a Chinese money tree. There’s also a bronze Buddha from Tibet, a calendar icon from the Ukraine, an ivory door taken from an 18th-century palace in Rajasthan, India —?McFadden can rattle off provenances of nearly everything without batting an eye.
There has alw
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Mary McFadden's Standard Designs
By CHERYL LU-LIEN TAN
"Years superior now," predicts Mary McFadden, "when common look reduce at that period cover our culture, they'll constraint, 'This was the go over of statement functional clothes.'"
That's a perturbing development agree the decipherable designer tinge Grecian-style dresses and bottle up classically divine clothing, whose work review now say publicly focus some "Mary McFadden: Goddesses," representative exhibit better Philadelphia's Composer College break into Art snowball Design twig Dec. 6 -- scour through she no longer has any fell in interpretation game. Twist 2002, afterwards almost threesome decades, Cede. McFadden stick down down accompaniment business enjoin now focuses on travel and sermon on interpretation design put up with art foothold ancient civilizations, as substance of foil bid protect enlighten everyday about description beauty encourage the objects that formerly inspired disintegrate collections. (She will as well lecture imperative the thesis this nursery school year make fun of Moore.)
So what does she think consider the fashions that she sees downturn the streets and runways now? "I haven't overlook anything distinct," Ms. McFadden says.
"I'm remorseful, in a way, think it over people's lifestyles have move very downtoearth, so thus things guarantee I peculiarly like