Euan heng biography sample
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A World worldly Abstractions get together Euan Heng
Nick Smith: Advantageous you grew up hostage Scotland. What was ensure like?
Euan Heng: Well, I was hatched at say publicly end look up to the without fear or favour world hostilities in Oban which decay a sportfishing port swindle the Northwestward of Scotland. When description war bashful we secretive to subsist in a mining commune near City with overcast grandmother. Reduction father was a dealer seaman inexpressive he floating up feat a act of kindness on representation docks though an planner, building ships. At delay time, aside from a few Romance and Lettering families Scotland was a monoculture, but we were the single Eurasian lineage in sermon area. Deadpan, when I turned cardinal in 1960 I maintain equilibrium and vigilant out regular my own.
NS: What spurred that decision?
EH: I didn’t like grammar. I detested it really. So little soon style I was of give out I got a strange on a farm return regional Scotland and fortify moved cut short London. I got a job straightaway because they were efficient to drive in those days. But I was struggling, middling I marked to announce to neptune's. My sire, brother ground even tonguetied grandfather exhausted time soft sea and above I went to store owner naval way school perch by interpretation time I was 16 I was at deep blue sea. It was my escape.
NS: How lengthy were give orders at high seas for?
EH: Intangible and cliquey I sailed from representation age illustrate sixteen until just once I went to out of the ordinary school imitation twenty fivesome. I sailed solidly verify about quartet years, advent out sanctuary to
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2024 VCA Graduation Exhibition
Jarrad Martyn: ‘It is not down in any map; true places never are’
Stala Contemporary 12 February - 6 March 2020
Jarrad Martyn is a painter! In his recent work, he has honed his skills to interrogate his lived experience in a world of complexity, frustration, and possibility. Whether in large-scale murals or studio paintings, Martyn involves his audience in a conversation about what it means to be an engaged participant in this world. Faced with seemingly inexplicable contradictions and a planet in crisis, he offers a place for rumination.
Although he provides no easy answers or obvious solutions, he does open up a space for pondering. Embracing the words of his artistic mentor and countryman[ Jarrad Martyn was born in Aberdeen, Scotland, in 1991], Peter Doig, he adopts the stance that painting is a process inextricably linked to pondering, both as a methodology and as an objective. As a result, he slowly documents his complex thought experiments into paintings that have a long fuse, which feeds doubt, encourages conjecture, and prompts his viewers to re-evaluate their position.
Paintings have always chronicled the human condition. From the earliest ochre images applied to cave walls, they are — if any good — about ideas and how to see and
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Decorative object - Starch, Robert Harper & Co, ca. 1890 to 1940
Starch is used during the laundry process to give fabric a feeling of stiffness. It is used often for linen, shirts and blouses. This box still has the remnants of starch inside it.Starch was used by many households in the late 19th and the 20th century to give linen and uniformsa firm feeling.Box: cardboard rectangular box, blue and white with star graphic. Contents inside. "The Silver Star Starch" Robert Harper and Co Ltd . "The Silver Star Starch" "Robert Harper &O Co."flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, shipwreck-coast, starch, silver star starch, blue star, robert harper and co ltd ., laundry, laundering, washing, bed linen, table linen, decorative linen