Harumi rhodes biography of donald
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Why are chamber music violinists not more famous?
elise stanley
Edited: January 31, , AM &#; Discussions on famous violinists seem to always centre on concerto soloists. Some of these reasons are obvious, - they stand out but shouldn't we be more sophisticated than that? Two groups of violinists are equally accomplished, if not necessarily in the virtuosic aspects of playing but in the ART of playing and integration within a group. The first is concertmasters (some of who do reach star status) but I would love to highlight the great violinists of chamber music. Where would be be without those incredible interpretations such as by Günter Pichler of the Berg quartet?Of course one can not evaluate a quartet by anything other than the quartet as a whole - but that should not stop us from recognizing brilliance within it. And it should be stated that often the expressive success can be traced to the first violinist (not meaning to start an argument here!).
e.g. Berg quartet playing Schubert's Death and the Maiden:
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[Edit: by fame I mean within the violinist community, not in general audiences.]
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Takács Quartet violinist Harumi Rhodes discusses Kachkaniraqmi (&#;I Still Exist&#;), a brand new concerto for string quartet and orchestra by composer Gabriela Lena Frank, commissioned by the Colorado Music Festival. Watch the interview or read the transcription below.
Photo Credit: Ken Jacques Photography; Harumi Rhodes appears second from left
Colorado Music Festival: Good morning. My name is Erica Reid, I&#;m with the Colorado Music Festival, and today I am talking with Harumi Rhodes of the Takács Quartet. How are you doing, Harumi?
Harumi Rhodes: Very well. How are you?
Festival: I&#;m wonderful. I&#;m really excited to talk to you today because whenever we have these world premiere pieces of music, it&#;s such a feather in the cap of the Festival, but it can be difficult for audiences to know what to expect and what to look forward to. So I just wanted to talk to you today a little bit about how it came to be, and what you know about the music so far. I know we&#;ve got a couple of weeks before the premiere, so there may be still some questions.
But I wanted to start with: how did this all come about? My understanding is that our Music Director, Peter Oundjian, and the people who organized the festival wanted to bring in a world premiere an