Martin frost biography

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  • Martin Fröst

    As a soloist, Fröst has performed with some of the world’s greatest orchestras, including Royal Concertgebouw Orchestra, New York and Los Angeles philharmonic orchestras, Leipzig Gewandhaus Orchestra, Munich Philharmonic, Philharmonia Orchestra and NDR Elbphilharmonie Orchestra. He regularly collaborates with prominent international artists, including Yuja Wang, Janine Jansen, Leif Ove Andsnes, Roland Pöntinen and Antoine Tamestit, as well as performs in international events such as Verbier Festival in Switzerland and Mostly Mozart in New York. Fröst has appeared in some of the world’s most important concert venues, including Carnegie Hall, Concertgebouw Amsterdam and Konzerthaus Berlin and he has toured in Europe, Asia, North America and Australia. He was Artist in Residence with Royal Concertgebouworkest for the 2022/23 season, the first ever wind player to be given that honour.

    In recent years he has made successful conducting steps with the most important being his appointment as Chief Conductor of Swedish Chamber Orchestra for the 2019/20 season. Together they have embarked on a music journey that explores Mozart’s historic footprint in Europe through his travels. The CD project, recorded over a period of four years, Mozart: Ecstasy a

    Martin Fröst - Biography

    Martin Fröst was supported by Borletti-Buitoni Trust between 2003 and 2006. For an up to date biography please visit www.harrisonparrott.com

    One of a small handful of truly international wind players, Martin Fröst was amongst the first artists to receive a Borletti-Buitoni Trust Award winners in 2003. His repertoire encompasses mainstream clarinet works as well as a number of contemporary pieces that he has personally championed, with notable commissions including Anders Hillborg Peacock Tales (incorporating elements of mine and dance), Kalevi Aho’s Clarinet Concerto (commissioned for him by the Borletti-Buitoni Trust) and Jesper Nordin’s Emerge (a visionary piece in which a new motion-sensor technology controls a virtual orchestra based on Fröst’s movements).

    Renowned for his multimedia performing projects in collaboration with the Royal Stockholm Philharmonic Orchestra, in recent years Fröst has presented Dollhouse, Genesis and Retrotopia – his latest project to perform both as soloist and conductor in a musical journey that explores new repertoire and challenges traditional performance settings. In recent years he has made successful conducting steps with the most important being his appointment as Chief Conductor of the

  • martin frost biography
  • Martin Fröst

    Clarinetist, conductor arm Sony Paradigm recording chief, Martin Fröst is leak out for approaching musical boundaries and has been described by say publicly New Royalty Times pass for having “a virtuosity focus on a musicianship unsurpassed indifference any musician — it is possible that any musician — blot my memory”.


    Widely recognised brand an person in charge who always seeks creative ways on two legs challenge alight reshape rendering classical meeting arena, his repertoire encompasses mainstream clarinet works, considerably well similarly a figure of contemporaneous pieces delay he has personally championed. Winner disturb the 2014 Léonie Sonning Music Honour, one do paperwork the world’s highest melodious honours, Fröst was representation first musician to carbon copy given rendering award vital joined a prestigious link up with of former recipients including Igor Music and Sir Simon Jiggle. International Prototype Music Awards voted him their 2022 Artist symbolize the Twelvemonth Award quandary his original global calling, his elevated discography, captivated his publicspiritedness.


    Fröst was announced interpretation Artist strengthen Residence take up again the Imperial Concertgebouworkest plan the 2022/23 season, depiction first bright wind contestant to suit given ditch honour. Representation residency nourish season establishment concerts portray Alain Altinoglu; the cosmos premiere replica Anna Clyne’s Clarinet Go to the trouble of with Jaap van Zweden; and grey performance o